Sunday, September 30, 2018

QUICK TAKE REVIEW By Beverly Creasey BURGESS Goes Mamet One Better

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Eleanor Burgess’ brilliant two hander, THE NICETIES, may have used David Mamet’s OLEANNA structure (student confronts teacher/ professor...
Saturday, September 29, 2018

QUICK TAKE REVIEW By Beverly Creasey “Not a Puppet… Not a Puppet” Fred is us.

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You must MEET FRED, at the Boston Center for the Arts only through Sept. 30 th so hurry! He’s a plucky little fellow who just wants “...
Monday, September 24, 2018

QUICK TAKE REVIEWS By Beverly Creasey NO PEACE NO JUSTICE

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We’re not safe from President Trump, even in the theater. He gets a mention or two in SpeakEasy’s comedy and the whole evening at Zeitge...
Sunday, September 16, 2018

LONG TAKE REVIEW By Beverly Creasey Exquisite Suffering

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You know from the play’s title that it won’t be a walk in the park but James Wilkinson’s flawless production of HANG (at the Arlington M...
Thursday, September 13, 2018

INTERVIEW with Composer Steven Bergman The Long Awaited Studio Recording of “Jack the Ripper: The Whitechapel Musical” By Beverly Creasey

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JACK THE RIPPER, THE WHITECHAPEL MUSICAL by Steven Bergman and Christopher-Michael DiGrazia is a Gothic juggernaut, driven by Bergman’s ...
Monday, August 20, 2018

MUSICAL REVIEW By Beverly Creasey Rapturous RAGTIME

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Sometimes—and it doesn’t happen very often—theater can move you like nothing else. It can lift you up, fill you with joy and despair, ta...
Friday, August 10, 2018

QUICK TAKE REVIEW By Beverly Creasey The Piper Pays Him!

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He’s so slick that folks don’t even know they’ve been had, ‘til he’s on the train fifty miles away, about to swindle the townspeople at ...